{"id":2218,"date":"2020-11-27T08:54:55","date_gmt":"2020-11-27T08:54:55","guid":{"rendered":"https:\/\/lfaccra.com\/en\/?p=2218"},"modified":"2020-11-27T08:54:55","modified_gmt":"2020-11-27T08:54:55","slug":"isshaq-ismail-painter-in-accra-madina","status":"publish","type":"post","link":"https:\/\/lfaccra.com\/fr\/isshaq-ismail-painter-in-accra-madina\/","title":{"rendered":"ISSHAQ ISMAIL, painter in Accra, Madina"},"content":{"rendered":"

Isshaq Ismail was born in 1989 .<\/p>\n\n\n

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Multidisciplinary artist, he is a product of Ghanatta College of Arts and Design, where he studied from 2009 to 2012. Not linked to a family or a specific artistic movement, he nevertheless admits a preference for Basquiat and Francis Bacon.<\/p>\n\n\n\n

He began his first portraits when he was between 19 and 20 years old. He makes painting his professional activity<\/p>\n\n\n\n

The relationship to painting is experienced as something organic. A place of expression and a means of escaping loneliness, art gives him comfort and autonomy in the expression of himself. Painting is thus nourished.<\/p>\n\n\n\n

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Major themes emerge: an interest in the question of identity, social reality and that of our century. The image is not perfect but distorted or shows many-sided faces. Like the life which is not perfect and which imposes its fractures, faces break and break the rules.<\/p>\n\n\n\n

Isshaq also likes to question and work in series, like his canvases representing the fashion for selfies, even if it means revealing the grotesque.<\/p>\n\n\n\n

Lastly, Isshaq is particularly interested in feelings, whether they be anxiety, anguish, empathy, apathy or hope.<\/p>\n\n\n\n

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\u201cDesire, desire, wonder, strength, resilience, power and hope are reflected in the face and figures of my work. I employ thick, loose, flat and cryptic gestural brushstrokes of acrylic paint without inhibition, fear or conformity, like the way a sculptor carves human figures from clay, I sculpt my figures with the brush.
\nThe images I create become metaphors for people’s feelings and also serve as protagonists to represent the masses and defend the voiceless. Not garbage, but people. Not leftovers, but lives – take a closer look and they will tell you their stories. \u201d<\/p>\n\n\n\n

Isshaq Ismail<\/p>\n\n\n\n

SOLO EXHIBITIONS
2018<\/strong>
Layers at Nicholas Roman Fine Art (New York, United States)<\/p>\n\n\n\n

GROUP EXHIBITIONS
2020<\/strong>
\u201cSAY IT LOUD (I\u2019m Black and I\u2019m Proud)\u201d curated by Destinee Ross-Sutton, Christie\u2019s New York<\/p>\n\n\n\n

2019<\/strong>
BLAU! FISCHE! at the To Live is To Choose gallery (Stuttgart, Germany)<\/p>\n\n\n\n

Various Artists at To Live is To Choose Gallery (Stuttgart, Germany)<\/p>\n\n\n\n

Celebration of Australia Day in collaboration with the National Museum Australia and the Gertrude Foundation at the Australian High Commission (Accra, Ghana)<\/p>\n\n\n\n

2018<\/strong>
To celebrate the visit to Ghana of Their Royal Highnesses the Prince of Wales and the Duchess of Cornwall organized by the British High Commission in Ghana at Caf\u00e9 Jamestown (Accra, Ghana)<\/p>\n\n\n\n

AC1 (African Contemporary One) at Nicholas Roman Fine Art (New York, USA)<\/p>\n\n\n\n

African Day Summer Exhibition at WTC The Hague Art Gallery (Netherlands)<\/p>\n\n\n\n

2017<\/strong>
Orange Fuse It Week at the Netherlands Embassy (Accra, Ghana)<\/p>\n\n\n\n

2016<\/strong>
Barclay\u2019s L\u2019Atelier Finalists Show at the Absa Gallery (Johannesburg, South Africa)<\/p>\n\n\n\n

Holland and Ghana grow up together at the Netherlands Embassy (Accra, Ghana)<\/p>\n\n\n\n

2013<\/strong>
National Museum (Accra, Ghana)<\/p>\n\n\n\n

FAIR BOOTH
2019
<\/strong> St – Art, the contemporary art and design fair in Strasbourg with La Galerie Florence (France)<\/p>\n\n\n\n

Art Montpellier Fair with La Galerie Florence (Beziers, France)<\/p>\n\n\n\n

Arte Fair with To Live is To Choose Gallery (Stuttgart, Germany)<\/p>\n\n\n\n

COLLECTIONS
Private collections<\/strong><\/p>\n\n\n\n

WORKSHOPS \/ PROJECTS<\/strong>
Imago Mundi (Contemporary artists from Ghana)<\/p>\n\n\n\n

Artistic project of the 32\/64\/90 2014 World Cup with uniform creation<\/p>\n\n\n\n

Consultancy UK – Selected Ghanaian Artist<\/p>\n\n\n\n

Chalewote Art Festival 2017 (Accra, Ghana)<\/p>\n\n\n\n

Chalewote Art Festival 2018 (Accra, Ghana)<\/p>\n\n\n\n

RESIDENCES
2020<\/strong>
Quarantine residence, Isshaq Ismail Studio (Accra, Ghana)<\/p>\n\n\n\n

PRIZE \/ COMPETITION
2019<\/strong>
Selected for the GUBA (USA) Influential Artist Award<\/p>\n\n\n\n

2016<\/strong>
Barclays L\u2019Atelier Art Competition, Johannesburg, South Africa – Top 100 finalists<\/p>\n\n\n\n

2016<\/strong>
Kuenheyia Art Prize, Accra, Ghana – Top 10 finalists<\/p>\n\n\n\n

2015<\/strong>
Kuenheyia Art Prize, Accra, Ghana – 10 finalists<\/p>\n\n\n\n

Discover Isshaq on his site:<\/p>\n\n\n\n

\nhttps:\/\/www.isshaqismail.com\/about\n<\/div><\/figure>","protected":false},"excerpt":{"rendered":"

Isshaq Ismail was born in 1989 . Multidisciplinary artist, he is a product of Ghanatta College of Arts and Design, where he studied from 2009 to 2012. Not linked to a family or a specific artistic movement, he nevertheless admits a preference for Basquiat and Francis Bacon. He began his first portraits when he was […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[88,9],"tags":[],"ppma_author":[85],"class_list":["post-2218","post","type-post","status-publish","format-standard","hentry","category-cultural-info","category-news"],"acf":[],"authors":[{"term_id":85,"user_id":0,"is_guest":1,"slug":"ahmed","display_name":"Ahmed Kone","avatar_url":{"url":"https:\/\/lfaccra.com\/wp-content\/uploads\/2023\/04\/CHEICK.jpg","url2x":"https:\/\/lfaccra.com\/wp-content\/uploads\/2023\/04\/CHEICK.jpg"},"0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/posts\/2218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/comments?post=2218"}],"version-history":[{"count":0,"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/posts\/2218\/revisions"}],"wp:attachment":[{"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/media?parent=2218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/categories?post=2218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/tags?post=2218"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/lfaccra.com\/fr\/wp-json\/wp\/v2\/ppma_author?post=2218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}